No one is wild about change, and it usually happens when you least expect it. Several weeks ago, my publisher informed me they would no longer be considering new material from me. I wasn’t entirely shocked, given Cusp of Night and End of Day have not followed in the path of my previous releases. A Thousand Yesteryears, A Cold Tomorrow, A Desolate Hour, and Myth and Magic did very well for Lyrical Underground/Kensington Publishing, and they expected the new series to perform in the same vein. Sadly, those numbers have been lacking. To top it off, the senior editor who liked my work, and requested new material from me, took a position with Marvel shortly after contracting Cusp of Night. I believe he would have taken another series given my past numbers, but the new editor is not inclined.
So now what?
If nothing had changed, I would have been happy to continue submitting books to Kensington, but their decision has made me re-evaluate what I want to do moving ahead. As I see it, I have three options:
Seek out an online publisher
Try to gain an agent and go after the Big 5 publishers
Each has its own value. I’m not sure I want to go with a small press, although there are several with excellent reputations. I’m more likely to go Indie or seek an agent. I spent one night thoroughly bummed over Kensington’s decision, but can’t say I was shocked. The same thing happened to two friends last year. I have no idea why my Hode’s Hill series has not performed like my previous books, especially given I dumped more paid promo and online promotion into Cusp than previous works. Maybe the type of books just didn’t resonate with readers like the others did. It’s puzzling.
I won’t miss the deadlines (the last one nearly did me in), though I will miss the promo Kensington did for my books, especially Book Bub. I am, however, a strong believer in fate, and that everything happens for a reason. I have to trust that this is part of God’s plan for my life.
With that in mind, I hope to seek an agent while releasing a few indie works. My current WIP, The Keeping Place, is mainstream mystery with just a twinge of folklore. No monsters, creatures, or ghouls, just the hint of an old legend from the 1900s. It’s a different direction for me, so perhaps the timing is good. I have a lot of faith in this book, and feel it will end up the strongest of anything I’ve written. Once finished, I hope to approach an agent for representation—although I dread the research involved.
In the meantime, Eventide, book three of my Hode’s Hill series, will release the end of December through Kensington. I’ll be jabbering more about that as the time nears.
I have a book of short stories I originally planned to indie publish the end of summer or early fall. I’ve now decided to hold that until April of 2020, as I’d like to continue to strive for two releases a year. That also gives me plenty of time to play with cover design. I’m still not settled on the title, but this book will include a story I hope to spin into an ongoing series of novellas. Remember the name “McDoogal.” 🙂
I also have plans for a string of novellas featuring a character from my Point Pleasant series. If that isn’t enough to keep me busy, I’m going to have to re-release my older works as the rights release back to me. And I thought I was juggling too much with a full time job before. Oy, vey!
I’ve got a lot to wrap my head around, but it won’t stop me from writing. I’ve dilly-dallied long enough not trying for the Big 5. This is the push I needed. It’s time I buckle down and search for an agent. And in the meantime, I can stay active with smaller indie publications.
So, that’s my plan, and I’m sticking to it!