It’s finally starting to feel like fall in central Pennsylvania after an unseasonably warm October. That change in temps is the perfect intro for my next guest who takes an in-depth look at using the seasons to influence the plot of your story.

Julie Holmes blogs at Facets of a Muse and is an uber supportive friend and blogger. She’s got a fun and quirky sense of humor that shows in posts about her muse (who is always drafting mine for pub crawls), the writing life, gardening and cats. You can’t go wrong with cats. Just saying.

Hop over to Julie’s, check out her blog, then show her some comment luv below. She’s placed her own wonderful spin on writing for the seasons. Take it away, Julie…

~ooOOoo~

Hello! *waves* A hearty “Thank You” to Mae for once again inviting me to guest on her blog. This is a nice place, Mae. Can’t wait to hear more about your new series (hint 🙂 ).

Since Mae left me up to my own devices when it came to a subject for a guest post (insert evil laugh here 😀 ), I shuffled through my mental idea bag as an October rainstorm poured outside. Not to mention Mae’s recent post about writing by the seasons on Story Empire. Well, it seems Mother Nature is trying to get my attention.

Living in Minnesota allows me the privilege of experiencing all four seasons. Each season seems to have its own attitudes and personality. Spring is hopeful and happy—most of the time. When Spring is moody and rainy, she often makes up for it with rainbows.

Summer is brilliant and fun-loving, but sometimes likes to be the center of attention a little too much with blasting heat or angry storms.

Autumn is quiet, the friend you call when you want a companion on a walk. Sometimes she can be a blowhard, which just ruins her dye job.

And winter, well, they don’t call it the Old Man for nothing. Winter’s attitude swings from peaceful stillness to howling bluster.

Okay, I know not everyone has all four seasons, and if they do, they may not be as distinct as they are in the upper Midwest. When you experience one or more of the seasons, using the seasons as part of your setting is almost second nature. The fun comes in when you use the season as more than just the backdrop for your story.

Say you’re writing a romance. Summer just begs to be the backdrop. Think walks along the beach or summer dresses or lounging in the sun. Eating dinner on a patio. Barbeques. Pretty typical fare, right? Well, unless it’s one of those holiday romance stories about Christmas parties and sleigh rides and cuddling by the fireplace. Still, pretty typical.

Okay, now give the season a bigger part in the story. Maybe switch it up a bit. Spring rains, thunderstorms, and wind. The heroine gets stuck in the mud, and the hunky neighbor guy stops to tow her out. If it hadn’t been spring and rainy, it wouldn’t have been muddy, and the hunky neighbor would have to have another excuse to cross paths with the heroine.

Let’s try autumn. Falling leaves, apple cider, pumpkin patches, harvest, Halloween. Our heroine is helping her grandfather get the harvest in. Her grandfather has a heart attack, and can’t finish getting the harvest in. She can’t do it alone. Along comes the hunky grandson of her grandfather’s “arch enemy”, who offers to help bring in the harvest.

Hmm. What about winter? Winter’s easy. PIck anything: furnace goes out, roads blocked by a snowstorm, the holidays. It’s a gimmee, that FREE space on the bingo card.

For example, in my upcoming book, I use winter as my season character. One of the key scenes between the main female character and main male character takes place only because of a blizzard. The blizzard forces them together, because the female protagonist can’t easily get to a safe refuge, and the male protagonist won’t let her stay alone. (You’ll have to read the book for the rest—mwahahahaha!)

In the second book, spring is my chosen season, because the snow melt of spring causes rivers to run high and fast, perfect for disposing of a body. And they’re cold, which hampers the M.E. determining time of death. On a less morbid note, the awakening of spring flowers and fresh leaves on the trees has a romantic effect on the story. Sudden spring storms can also toss wrenches into plans.

Summer offers possibilities beyond outdoor concerts and swimsuits. How about a gardener who has a family emergency and asks the neighbor to water the garden. Guess what? The neighbor either forgets and the garden dries up, or the neighbor remembers, but it rains for three days straight, and the garden drowns. What does the gardener do upon returning home? If they got along before the emergency, do they still get along? What if the gardener was growing his prize-winning dahlias? Or a special tomato hybrid he was betting on to help him win first place at the state fair?

Use the season as more than just window dressing. Use it to enhance conflict. The key is to use the season to affect the choices the protagonist or antagonist must make in the story. Those choices can take the story in one direction or another. Use it to make solving the crime more difficult, to force two opposing characters together, to make characters take alternate routes that take them to no-man’s land or paradise.

Try to utilize the season in a way that is unexpected. A sudden summer deluge can cause a mudslide that can keep the bad guys from getting to the hero, or strand the heroine with no way of contacting help. A fall bonfire can get out of control, a hay ride can be the vehicle of romance, or a leaf pile can cover a body. And there’s Halloween. Let your imagination run.

Another hearty thank you to Mae for hosting me. I’m off to check out the changing leaves and figure out how I can cast my favorite season in a story.